Corbijn in Skellefteå

Anton Corbijn was received like a rock star when he gave a lecture in Skellefteå, Sweden, last Friday. The tall Dutch entered the room to a thunderous applause. But unlike a lot of super stars he was very modest.

It’s amazing that so many of you have come here. Honestly, I thought I would be lecturing to twenty people in a cubbyhole

, he explained humbly.

The acclaimed and well-known photographer, who during the years has worked with U2, R.E.M., Metallica and Nirvana among others, had declared beforehand that he did not intend to give any interviews. But U2.se’s representative took the opportunity to speak to him after the good two hours long music video lecture.

He was slightly reluctant when he said that he is in the middle of photographing U2 for the upcoming album.

That’s right. We are currently working in London, where the photos are to be taken. We are not working from any one special theme, but instead we take the pictures based on a feeling. Right now, I’m trying to sort them out

, he laughed, speaking about the band members.

This was all that Corbijn wanted to tell, but he gave all the more beef on the recording of the “Please” video, which was also shown to the 400 spectators in the Expolaris conference center.

We recorded it in a studio and it cost a ton of money. The clouds were added in post production, as we recorded everything against a blue screen.

About the theme of the video, Corbijn had the following to say:

U2 never said it right out, but I understood the song to be about the conflict in Nothern Ireland so this was my point of reference. Everyone is on their knees, except the old bearded man, who portrays God. He is standing up until the very end. I guess one can say that the video has a duality to it. In part it is about Northern Ireland, and in part about religion as a whole.

Corbijn says that he is dissatisfied with the end of the video, which was too unreal and overstated. He thinks it would have been better if the video was to end with a close up of Bono. But the most unexpected thing was that the official version of the “Please” video is not the version Corbijn liked the most. In Corbijn’s version Bono is bursting into tears.

This song means the world to him and when we recorded the video he could not stop the tears. It was very emotional. But Bono did not want this version shown on MTV so we had to edit it

, Corbijn said.

Corbijn did not reflect a lot on the videos he showed. Introducing each video he presented each artist or band, which was very parodic as the majority of the videos were more than well known to the audience.

Ahum, this is an English band called Depeche Mode

, he mumbled before playing the classic “Enjoy The Silence” video.

From having been, to the record companies, an art form of relatively little value, the music video have become a real marketing tool. Corbijn has been there through it all and he does not have a lot left for the big record companies.

I don’t like record companies. I don’t like meetings. I make videos out of the love for the music, no more, no less

, he explained.

During the lecture Corbijn offered a lot of anecdotes. He told about how he, during the recording of the video for “Deliah’s Gone,” was invited to lunch at Johnny Cash’s place. Chicken was on the menu, and that posed a problem.

You know, I’m a vegetarian. But what do you do? I didn’t have the guts to tell Johnny so I took the smallest piece of chicken I could find

, he laughed.

He also told of how hard it is to get artists to act and that very few can handle it well.

Dave Gahan of Depeche Mode is a rare exception. He is a brilliant actor.

Anton Corbijn does not like to plan and structure but prefers to let his feelings and intuition rule. To convey thoughts and ideas to others, together with handling all the techincal aspects that drive the recording a video, are among his least favourite tasks.

My works are quickly dated as I have a hard time to adapt the new. None of my videos is perfect from a technical perspective.

Corbijn’s role models are directors Jacques Tati and Andrei Tarkovsky, a fact that can be seen in his ability to weave together sharp details to a working whole. And when Corbijn is to do a video he doesn’t listen to the individual words of the lyrics, but instead he focuses on the musical feeling.

I usually play the songs over and over at home to get a feeling for the music. Then the pictures usually start coming to me.

After having shown 13 videos and shared a lot of jokes and anecdotes, Corbijn ended the lecture and got, once again, a long and thunderous applause. He left with a bunch of CD’s, a cheese made in Västerbotten and a hockey jersey of the local team, Skellefteå AIK.

(This article was written by Olov Baudin for U2.se, loosely translated into English by Peter Hanning. Reproduced with permission.)

32 thoughts on “Corbijn in Skellefteå

  1. In London?..maybe they’ve been shooting David Blaine images for the new album..or maybe even something interesting.

  2. In London?..maybe they’ve been shooting David Blaine images for the new album..or maybe even something interesting.

  3. Does anyone know where you can purchase prints of Corbijn? I know he has a book, but I want some of those U2 prints he’s done that were all over the Rock Hall of Fame.

  4. Does anyone know where you can purchase prints of Corbijn? I know he has a book, but I want some of those U2 prints he’s done that were all over the Rock Hall of Fame.

  5. baron,

    I am not entirely sure about prints, but the Torch Gallery in Amsterdam once sold ’em (probably ’cause Anton had an exhinition there once). They still do sell posters of some of Anton’s work.
    For prints (which I remember were rather expensive… 200+ euro/dollar per pop), you’d best contact his agent. I lost that addy, I’m afraid. Good luck!

    Reno <- has Anton’s Miles Davis hangin’ on his wall.

  6. baron,

    I am not entirely sure about prints, but the Torch Gallery in Amsterdam once sold ’em (probably ’cause Anton had an exhinition there once). They still do sell posters of some of Anton’s work.
    For prints (which I remember were rather expensive… 200+ euro/dollar per pop), you’d best contact his agent. I lost that addy, I’m afraid. Good luck!

    Reno <- has Anton’s Miles Davis hangin’ on his wall.

  7. Wow. anton is really a cool guy. if bono would have let him leave the “please” video alone, it would’ve probably been one of their more “memorable” videos because it sounds so powerful with bono crying in it. (Now I wanna see it!)

  8. Wow. anton is really a cool guy. if bono would have let him leave the “please” video alone, it would’ve probably been one of their more “memorable” videos because it sounds so powerful with bono crying in it. (Now I wanna see it!)

  9. so if you exchange your dollars for pesos and then to euros…you might make enough profit to buy the prints :p

  10. so if you exchange your dollars for pesos and then to euros…you might make enough profit to buy the prints :p

  11. If you show the emotion, you take away from viewers imagination. That’s what some directors think, anyway, that it is better to hint at the emotion and leave the rest up to the viewer, so that there’s more for them to feel.

  12. If you show the emotion, you take away from viewers imagination. That’s what some directors think, anyway, that it is better to hint at the emotion and leave the rest up to the viewer, so that there’s more for them to feel.

  13. Crying or not, I think Please is one of their best videos ever. It’s also one of their best songs and my personal favourite, it’s perhaps the new version of Sunday Bloody Sunday, same band, same theme, but 10+ years later. Band has changed and developed, situation in Ireland hasn’t really. Although perhaps now…

  14. Crying or not, I think Please is one of their best videos ever. It’s also one of their best songs and my personal favourite, it’s perhaps the new version of Sunday Bloody Sunday, same band, same theme, but 10+ years later. Band has changed and developed, situation in Ireland hasn’t really. Although perhaps now…

  15. And how they performed it on the popmart tour was gutwrenching when the cams and strobes would cut to different shots of Bono when he would…Aighaigh. Awesome!

  16. And how they performed it on the popmart tour was gutwrenching when the cams and strobes would cut to different shots of Bono when he would…Aighaigh. Awesome!

  17. The remembrance of their Please performance in Rotterdam shure sends the shiveres up and down
    my spine again….great emotional song but what a swing as well….

  18. The remembrance of their Please performance in Rotterdam shure sends the shiveres up and down
    my spine again….great emotional song but what a swing as well….

  19. seeing the band perform please in baltimore just 5 weeks after 9/11, the song’s elevation tour premiere, was one of the most thrilling live moments I have ever experienced.

  20. seeing the band perform please in baltimore just 5 weeks after 9/11, the song’s elevation tour premiere, was one of the most thrilling live moments I have ever experienced.

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