radio 1

Special Report: U2’s Day at the BBC

U2 @ BBC Radio Theatre
http://www.bbc.co.uk/musicevents/u2/

Friday February 27th of 2009 was a brilliant day to be a U2 fan in London. The BBC brought us closer than we’ve ever been before for hours of brilliant coverage. My friend and I won tickets to the Radio 1 Live Lounge in the morning, and stayed until the end of the rooftop gig in the evening.

After waiting out in the cold from 9am we finally got into the BBC Radio Theatre and secured a spot at the front next to Edge. Everything was amazingly organised and fans were led into the theatre in the order in which they had queued up. Take note venues of the world!
Continue to read this special report by guest contributor Clare K.

U2 at the Beeb for their Live Lounge session

U2 arrive at BBC Radio 1
http://www.bbc.co.uk/musicevents/u2/

U2 are special guests at BBC Radio including a special Live Lounge session on BBC Radio 1.

The band will be performing three tracks for a Radio 1 Live Lounge session in Jo Whiley’s daytime show from 10.00am. Later today on BBC Radio 2, Chris Evans will play host to U2 on his drivetime show at 5.00pm, interviewing all four members of U2 about the secrets of their success, from their formation in Dublin in 1976, to nine number one albums in the UK and 22 Grammy Awards.

A number of lucky Radio 1 listeners will be able to watch the band live at the BBC Radio Theatre. U2log.com hopes to be able to bring you a special report from inside the theatre.

Update: The band played Get On Your Boots, Beautiful Day und Breathe on the Jo Whiley show. They also recorded Magnificent for another show. See also U2tour.de twitpics.

Continue reading →

The Edge has a new ‘thing’

Niall Stokes of Hot Press reviews U2’s BBC1 gig on the Hot Press website and quotes Bono telling Radio 1 DJ Jo Whiley: “We fucked it up a couple of times, but I think we got away with it.”

Stokes also mentions a conversation with The Edge in which the guitarist explains to him he has as a new trick up his sleeve:

“Across the other side of the room, Edge is beaming – clearly satisfied that a good night’s work has been done. I compliment him on his slide playing. “We’ve had to invent a new thing,” he tells me, “so I can switch from normal chords to playing slide in the middle of a song. It’s tiny, and fits on the tip of the finger. I’ll show you…””

Unfortunately, Stokes does not elaborate on Edge’s thingie.