The Edge is still buzzing from his trip to Morocco when he takes time to talk to Hot Press magazine’s Peter Murphy. They reflect on the past, remembering the late great Bill Graham and discuss U2’s collaboration with Eno and Lanois in Fez.
The interview with U2’s guitarist is for subscribers only, but we’re sure the good people at Hot Press won’t mind if we share a few choice quotes with you.
To what extent did you use Bill Graham as a sounding board?
“Bill was very important to us from the beginning. […] We’d meet him from time to time and play him some stuff, and in a very touching way he would mentor us, give us records to listen to that he felt were important for us to hear, stuff that maybe we hadn’t come across before. And I think he filled a certain kind of almost big brother role with the band, and we certainly appreciated all his advice and consideration.”
Is this your latest psycho-geographical adventure (in Morocco), trying to channel the atmosphere of a place into the music?
“I think it is. It was one of those ideas that wouldn’t go away. Bono suggested it a good while ago. He throws out ideas a lot, and a lot of them do not necessarily get met with the greatest enthusiasm. I would probably be the one most ready to go for it, Adam is fairly easygoing, Larry is hard to persuade a lot of times. In this case, to everyone’s amazement, Larry pretty early on went, “I think there’s something to this; it sounds like a good idea.””
Are these songwriting sessions for a U2 album or an extra-curricular endeavour?
“It’s a U2 project, and one of the luxuries we’ve afforded ourselves is not to have to think about exactly what it will be or how it’ll be finished or when it’ll be released.”
Read the full article at Hot Press (if you subscribe).
The Edge and Bono attended the opening of artist Charlie Whisker’s exhibition at Solomon Gallery in Dublin last night. Whisker has contributed illustrations to several U2 album designs and is the artist who created the metal gates at Bono’s home. Whisker is also the man to whom Gavin Friday and Guggi turned to learn to paint when the Virgin Prunes ended. In January 1988, Whisker, Guggi, Bono and Gavin showed their work in an exhibition called ‘Four Artists, Many Wednesdays’.